Timothy Johnson I’ve been following Richard Thomas (but not in a weird way) for years. He is not only an exemplary writer, but a shining example of what it means to be a literary community member,...
Christian Stanzione Paradox isn’t the problem we take it for. Our want, or at least mine until the past few years of academic dithering, is to think of paradox as a sort of unsolvable dialectic—a...
Lena Crown “No fantasy is wrong,” Jami Attenberg writes in her memoir I Came All This Way to Meet You, released in January of 2022 by Ecco Books and Serpent’s Tail (UK). No fantasy is...
Melissa Wade Towards the end of his recent stand-up special, Aziz Ansari asks the audience to clap if they spend too much time on their phones. The majority do. He asks if they’ve ever tried...
As a fiction writer without much of a knack for poetry, I’ve long appreciated writers with a talent for both genres. And when I think of authors who bridge that genre divide, Laura Kasischke is one...
Christian Stanzione What the erasure is is hard to pin down. In one sense, it is a new poem but the kind of poem that renders the reader hyper aware that language is a cultural hand-me-down. In...
KS Keeney While phoebe is primarily a journal for literature, over the years we have had the chance to feature some phenomenal visual art, and none more so in my tenure than the work of Camilla...
Leah Sumrall I love craft books. It isn’t so much that I read them hoping to learn something new (though I almost always do), but that I enjoy finding new perspectives on what I already know about...
Timothy Johnson I believe you should judge a book by its cover. Of course, we often apply that idiom figuratively to people, and in that case, I don’t recommend it. In the literal case, though, a...
Judge: Emily WilsonDeadline: March 15, 2022, at 11:59 pmPrize: $500 and publication in phoebe 51.2 (online issue) Entry Fee: $7Submission Size: 3 to 5 poems per submission, totaling no more than 10...
