2023 Spring Fiction Contest Winner Parrot by Maeve Barry 2023 Spring Nonfiction Contest Winner All the Dust Falling by Abigail Ham 2023 Greg Grummer Poetry Contest Winner Pastoral Fragment by Rachel...
Timothy Johnson In storytelling, endings are essential. I’m aware of the school of thought that stories aren’t about the endings but the journey; however, as a writer, I usually don’t even...
2022 Spring Fiction Contest Winner A Bed Filled with Birds by Faith Shearin 2022 Spring Nonfiction Contest Winner Ariel by Lucien Darjeun Meadows 2022 Greg Grummer Poetry Contest Winner New Theories...
At long last, here it is: phoebe’s spring 2022 contest issue. For this one, we received thousands of submissions containing your best work, and our readers and editors toiled for months to whittle...
Christian Stanzione Paradox isn’t the problem we take it for. Our want, or at least mine until the past few years of academic dithering, is to think of paradox as a sort of unsolvable dialectic—a...
Lena Crown “No fantasy is wrong,” Jami Attenberg writes in her memoir I Came All This Way to Meet You, released in January of 2022 by Ecco Books and Serpent’s Tail (UK). No fantasy is...
Melissa Wade Towards the end of his recent stand-up special, Aziz Ansari asks the audience to clap if they spend too much time on their phones. The majority do. He asks if they’ve ever tried...
As a fiction writer without much of a knack for poetry, I’ve long appreciated writers with a talent for both genres. And when I think of authors who bridge that genre divide, Laura Kasischke is one...
Christian Stanzione What the erasure is is hard to pin down. In one sense, it is a new poem but the kind of poem that renders the reader hyper aware that language is a cultural hand-me-down. In...
KS Keeney While phoebe is primarily a journal for literature, over the years we have had the chance to feature some phenomenal visual art, and none more so in my tenure than the work of Camilla...