Kelly Haneklau

“Abstract Waterfall” Oil Kelly Haneklau is a free-lance multidisciplinary artist who works primarily in oil and acrylic. Her subject matter ranges from abstract, still life realism,...

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MariaTeresa Ortiz-Naretto

“Beatrice Dominguez” Cold wax and oil on canvas Cold wax and oil are the main techniques that MariaTeresa Ortiz-Naretto utilizes in her artworks. Either on canvas or on paper, the matter...

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Shagufta Mulla

“Ceremony” Acrylic on 10 x 10 cradled wood panel “Story Time” Acrylic on 9×12 cradled wood panel Shagufta Mulla is the art editor of Peatsmoke Journal, a poet, and a...

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Cynthia Yatchman

“ColorDekapende” Alcohol inks “Colorkoshiepta2024” Alcohol inks Cynthia Yatchman is a Seattle based artist and art instructor. A former ceramicist, she received her B.F.A. in...

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K. G. Ricci

“Wait It Out” Cut/paste paper collage “And so we see…” Cut/paste paper collage K.G. Ricci is a self-taught NYC artist who has been creating collages for the past seven...

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Kelly DuMar

“October Brook Abstract 3.5” Digital Photography Kelly DuMar is a poet, playwright and workshop facilitator from Boston. She’s author of four poetry collections, including jinx and...

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Katy Stewart

“Cahoots” Analogue collage on paper “Nurture” Collage on paper “Volcanic Pipeline” Collage on paper Katy Stewart is an analogue collage artist and experimental...

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Marsha Solomon

“Solar Sail” Acrylic on Watercolor Paper Marsha Solomon‘s work has been the subject of many solo and group exhibitions in prestigious galleries, universities and museums. Audiences...

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The Process and the Witchcraft: An Interview with Nick White

by K.R. Mullins K.R. Mullins: Thank you so much for speaking with us! I want to start this off by just asking a little bit about your relationship to craft. How do you think about your process of...

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The Court of No Record by Jenny Molberg—Book Review

by Susan Muth & Tori Reynolds The tradition of the confessional mode is both continued and made anew in Jenny Molberg’s third book, The Court of No Record (LSU Press, 2023). Through documentary...

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