Crystal Cox Since you asked, I’m answering with alien abduction stories, period underpants, midday séances under a tree, hoarding those bathroom towels with the fancy stitching, a few cans of...
Keene Short Halfway up the hill, I smell it before I see it, before I hear the wasps and flies. Paint-stain fresh, mildew wine, an aftertaste of cherry bile. The smell pools where the path arcs and...
Fiction The Mother Compact by Blair HurleySeverance by Alma GarcíaSome Assembly Required by Jared GreenInsecticide by Angela Yang Art Gallery I Estructuras Insoportables I by Cecilia...
Hunt Hawkins The elevator opens on the 19th floorto a room full of hay, bleating sheep and goats,a loose rooster looking for grain.Through the windows we see the bright Palisadesand in the haze the...
Kira K Homsher Two shirtless teenage boysPlay ball across the street.They dart in and out of my little square of vision,Casting long evening shadows downThe sidewalk. Oh, one of them has dropped The...
Aimee Wright Clow Three toes fall over the line, severed at just the right place so thefoot does not bleed. The foot walks away and the toes becomeseeds, slowly wriggling into the mud-line where they...
Zebulon Huset He didn’t tell me, and I shouldn’t have been snooping—but—how much privacy should a five year-old have? Finding his post-it diary was adorable until I noticedthe wavy pages...
Issue 51.1 Art Gallery I Estructuras Insoportables I (Yellow) by Cecilia Prandi Acrylics on Canvas Estructuras Insoportables II (Green) by Cecilia Prandi Acrylics on Canvas CECILIA PRANDI was born in...
Issue 51.1 Art Gallery II Collage 30 by Libby Saylor Mixed media on paper Collage 37 by Libby Saylor Mixed media on paper LIBBY SAYLOR has been making art since childhood. She received her BFA in...
Lisa Huffaker Lisa Huffaker creates poetry, collage, and assemblage. She is a frequent visiting artist at the Nasher Sculpture Center, a recent C3 Visiting Artist at the Dallas Museum of Art, and...
