Alex Tretbar We came here for the endangered Chilean sea bass but I can’t even hear myself chew over the smooth jazz. It is appropriately unbearable when I decide to butter my bread instead of...
Amy DeBellis At fourteen, your first kiss is quivering, soap-bubble fragile, broken open by your grandfather’s rough voice: “The hell is this?” Even at seventy he’s powerful, six foot three...
Fiction The Mother Compact by Blair HurleySeverance by Alma GarcíaSome Assembly Required by Jared GreenInsecticide by Angela Yang Art Gallery I Estructuras Insoportables I by Cecilia...
Aimee Wright Clow Three toes fall over the line, severed at just the right place so thefoot does not bleed. The foot walks away and the toes becomeseeds, slowly wriggling into the mud-line where they...
Zebulon Huset He didn’t tell me, and I shouldn’t have been snooping—but—how much privacy should a five year-old have? Finding his post-it diary was adorable until I noticedthe wavy pages...
Issue 51.1 Art Gallery I Estructuras Insoportables I (Yellow) by Cecilia Prandi Acrylics on Canvas Estructuras Insoportables II (Green) by Cecilia Prandi Acrylics on Canvas CECILIA PRANDI was born in...
Issue 51.1 Art Gallery II Collage 30 by Libby Saylor Mixed media on paper Collage 37 by Libby Saylor Mixed media on paper LIBBY SAYLOR has been making art since childhood. She received her BFA in...
Lisa Huffaker Lisa Huffaker creates poetry, collage, and assemblage. She is a frequent visiting artist at the Nasher Sculpture Center, a recent C3 Visiting Artist at the Dallas Museum of Art, and...
Angela Yang 1. The man printed on the insecticide can wears oversized boots and taut muscles. He looks like he has seen all types of cruelty, grown disinterested, and so turned to benevolent killing....
