Chris Stanzione, phoebe’s Assistant Poetry Editor, asked Peter Streckfus to reflect on his past Phoebe publications, “The Carpenter” & “Death in a Fig”. He discusses the formal...
On the penultimate page in my copy of During the Pandemic, Rick Barot’s poignant new chapbook, I am told: “You are holding No. 77.” The numbers are penciled onto the page in a small, neat...
Zachary Barnes The Office of Historical Corrections is Danielle Evans’s newest collection of six short stories and a novella. These stories are wonderfully varied, with settings like a life-sized...
By Timothy Johnson I recently read Josh Malerman’s Malorie, the sequel to his 2014 Bird Box, which Netflix turned into a successful film in 2018. I like a good horror tale, and over the last few...
By Sarah Wilson I first met Alysia Li Ying Sawchyn for coffee just over three years ago. She had just finished her MFA and moved back to the DC metro area. We were introduced by a mutual friend who...
Lena Crown On my dining room window, there’s a paint smudge at the center of the third pane of glass. Before quarantining for eight months, before gazing out that window each day at the same thin...
Millie Tullis Mary Jo Amani’s ecstatic poem “Rapture” remained with me long after my initial reading. I was so grateful to be able to share this powerful poem with our readers in issue 49.2....
By Melissa Wade I stare at the rain pouring down from the clogged gutters outside my window, realizing I have yet to talk to another human today. I asked my dog if he wanted to go for a walk, but it...
By Kevin Binder The question “Am I done with this story?” is one that almost all writers will ask themselves at some point during their careers. In a previous blog post, we asked established...
By Melissa Wade Justin Cronin, writer of The Passage, no longer writes short fiction. He said the form is incompatible with his temperament. His successful trilogy, by way of proof, clocks in at over...
