The Boy Who Almost Smiled

Wasima Khan

Before there were boats, barbed wires, and frozen mornings in northern Europe, there was a courtyard in Aleppo where jasmine climbed the walls, and his sister sang to the birds. In the afternoons, when the sun softened, the two played a game they’d invented. 

 

She would call the sparrows, and Idris would pretend to translate their answers. “They’re saying you sing off-key,” he teased, and she would throw a fig at him, laughing. Sometimes, they strung the fallen jasmine blossoms together into necklaces and hung them over the yard’s well. “To make the water dream,” she said once. He didn’t know what she meant, but he remembered the sound of her voice echoing off the stone walls. That bright, fearless laughter.

 

Idris was twelve when the air first began to change, when the news began to speak in warnings rather than weather. His mother, Hanan, said things would calm down. “It is only for a few weeks,” she said, stirring lentils. “Politics. Men shouting. They will get tired soon.”

 

But the shouting became thunder, and the thunder became fire.

 

The first explosion tore through the far side of the city like an insult shouted in a mosque. The ground vibrated. People ran into the streets, away from the blast. His father stayed behind the television set for as long as he could, fingers steepled under his chin, eyes fixed to a reality he couldn’t control. By the end of that month, their apartment had cracks in the ceiling, and the garden was full of ash.

 

One morning, Idris found his mother packing quietly. No explanation, just folded scarves, passports, dried dates in a tin. “We’re going to your uncle’s house,” she said, avoiding his eyes. He didn’t ask why. He never saw their old home again.

 

In the countryside, things were quieter but not safe. Planes still passed overhead. Men in black masks visited villages at night. One day, his uncle did not return from the mosque. Three weeks later, someone left his prayer beads on the doorstep. Idris’s father grew silent. His mother began to whisper when she prayed.

 

When the militia came, they knocked politely. That was worse. They asked for help—just a place to store some things, a boy to carry food. His father refused, unwilling to turn his home over to their war and make his family complicit. Three days later, he disappeared on the way to the market. His body was never found.

 

Idris was fourteen.

 

They moved again. And again. His mother paid men to drive them through checkpoints. Once, they spent three days in a cellar while bombs fell above them. The walls sweated and so did Idris. In the dark, his little sister asked if God could see underground. Idris didn’t know how to answer.

 

Eventually, they reached Turkey. Not in triumph. In hunger.

 

*

 

Istanbul shimmered with contradictions. Minarets rising like promises over streets that smelled of seaweed. At dawn, men waited by the docks, eyes down, hoping for work. The city was crowded with ghosts. Men who spoke with the same accent, children who cried and called out in Arabic for fathers they would never see again. 

 

Idris worked in a kitchen, peeling potatoes until his hands blistered. An old Turkish woman saw his blistered hands and pressed a strip of cloth into them, murmuring something. He didn’t understand the words, but he kept the cloth until it disintegrated. It was the first kindness he’d been given in months. The café owner once paid him with yesterday’s bread and a half glass of tea, saying, “You’re lucky to have even that.” Idris shivered, his pockets empty. 

 

His mother cleaned floors. His sister began to cough in the mornings and never stopped. They lived in one room with a cracked sink and a window that opened to a wall. The city pulsed above them — ferries gliding, the call to prayer weaving through traffic horns — a life they could hear but not touch.

 

One night, Idris came home to find the room empty. No note. No bags. Just silence. The neighbor said the police had come. Or perhaps the landlord. It was never clear. The words did not feel real. They felt distant and echoing, like something he kept hearing but could not understand. All Idris knew was that his mother and sister were gone.

 

He searched for days. Called every hospital. Went to every shelter. After the third week, he stopped. Grief needs energy, and he had none left.

 

He lived with other boys. Syrian, Afghan, Sudanese. All of them tired in the eyes. They pooled coins for bread and cigarettes. Sometimes they drank. Sometimes they went to the sea.

 

It was in Izmir that he met the smuggler. A man in mirrored sunglasses who promised life jackets and a fast boat. Idris had no money. Only his hands, and the photos he had carried from Aleppo. The smuggler studied him for a moment and hesitated. “You can pay later,” he said at last. “When you reach Europe. All you need is courage.”

 

Courage.

 

The sea was not kind. The boat was not fast.

 

They drifted for a day and a night. Water came in through the floor. A baby died in the dark. When they reached Lesbos, some knelt and kissed the earth. Idris vomited and couldn’t stop shaking. There were camps. Cold ones. Loud ones. Endless lines and tasteless food. One guard laughed at his name. “Like Idris Elba?” he asked, and when Idris didn’t answer, he laughed harder.

 

From Greece, he moved north. Serbia, Hungary, Germany. Every border crossing was a breath held too long. In Calais, he tried to hide under a truck. They found him and beat him. He still had the bruises when he reached the Netherlands.

 

The Dutch officials gave him tea and a spritz cookie. Asked questions about the war. About trauma. He wanted to ask: “Which part should I describe—the cellar, the sea, or the silence where my mother used to be?” But he didn’t. He just nodded and let them assign him a number.

 

Verchem was the first place he stayed longer than a week. A small Dutch town surrounded by fields too green to feel real. The asylum seekers’ center there was an old military barracks, with walls painted a cheerless beige and windows that never opened wide. The hallway lights flickered at night. Everything smelt of detergent and damp shoes.

 

By then, he had learned to say thank you in three languages. And to fold the past into something he could carry in a coat pocket. Yet it was still there, pressing against his ribs, making it hard to breathe.

 

When people asked where he was from, he said “Syria,” but what he meant was: “I am from the place where everything I loved became rubble.”

 

*

 

He spent three months in Verchem. It was supposed to be temporary. Just long enough for his fingerprints to clear through the system, they said. Then he would be moved to a more “permanent” location. As if anything in his life could still be called permanent.

 

Outside the gates, there was a bus stop, a supermarket, and a stretch of narrow homes where lace curtains trembled behind closed windows. The neighbors called them asielzoekers, with that same clipped tone they used for stray dogs or pests. Once, a boy in a blue jacket passed him in the street and shouted, “Terrorist!” The word landed like a stone, thrown casually over the shoulder. Idris flinched but said nothing. He knew his accent, his skin, his silence — even his grief — was enough to provoke suspicion.

 

He did not speak of it to the others at the center. They had all been spat at or called names. One Somali man had been shoved in the supermarket queue. A Kurdish family returned from the market with eggs thrown at their pram. The father scrubbed the yolk from his baby’s clothes with trembling hands.

 

“We don’t belong here,” one of them said. But what was the alternative? Go back?

 

There was a bakery near the center, warm-smelling and full of sweet things Idris could not name. One morning, he walked in, hoping to use his five-euro voucher for a coffee and bread. The woman behind the counter paused when she saw him. She did not smile. She looked past him at the line building behind and said sharply, “Only card. No voucher.” He held it up, pointed to the sign outside the door that said vouchers accepted. She shook her head. “Go.”

 

Sometimes, Dutch children rode their bicycles past the center and shouted “Ga terug naar je eigen land!” Go back to your own country. But he had no country to return to. That was the part they didn’t understand. Or didn’t care to understand.

 

He tried to disappear. He wore a cap low over his eyes and stayed indoors as much as possible. When he did go out, he walked with his shoulders hunched, eyes fixed to the ground, speaking to no one. But even silence could be interpreted as insolence.

 

One afternoon in December, snow melting in dirty puddles along the curb, he sat on a bench near the park, writing in his notebook. Two older men walked by, paused, then approached.

 

“What are you writing?” one asked in Dutch.

 

Idris looked up, unsure.

 

“I said,” the man repeated, slower and louder, “what are you writing?”

 

He held up the book, then shrugged.

 

“You should learn Dutch if you want to stay here.”

 

His companion laughed. “They don’t want to learn. They just want the money.”

Idris lowered his head.

 

“You should be grateful we let you in,” the first man said. “Instead of hiding behind your fucking scarf and praying five times a day.”

 

They walked off, chuckling. Idris stayed on the bench until his fingers went numb.

 

Later, when he told his caseworker—an overwhelmed man with a clipboard and too many forms — the reply was a shrug. “These things happen. Best not to engage.”

 

At the library, a woman refused to sit beside him. At the swimming pool, he was asked to leave because someone complained about “foreign boys staring.” Even at the mosque in Flegel, one of the older worshippers scolded him for not wearing clean enough clothes, though Idris had only one good shirt, and even that had holes.

 

It wasn’t the words that broke him. It was the constant looking away. The small, daily gestures of unwelcome. The way bus drivers never returned his gaze, how shopkeepers touched his money with the corners of their fingers. It was as if they all saw something dangerous in him. Something contagious.

 

He tried to keep busy. Took Dutch classes twice a week. Attended the weekly “integration club,” where well-meaning volunteers taught them how to sort recycling. There were always snacks, always cheerful PowerPoints, always a smiling woman at the front of the room saying things like, “In the Netherlands, we value direct communication.” Idris thought: “I would rather have you lie to me with kindness.”

 

When snow fell again in January, he stood at the edge of the road and watched the flakes melt on the sleeve of his coat. He had seen snow before. In Aleppo. He had caught flakes on his tongue and run barefoot through the alley while his mother called after him. For a moment, the sound of her seemed to rise again in the cold air. But it slipped away just as quickly. That snow had smelled of spices and warmth, and this snow smelled like ash and diesel.

 

One day, on his way back from Dutch class, Idris saw a boy—maybe six years old—slip on the frozen pavement and fall hard. The boy cried out, clutching his knee. Idris hesitated, then bent to help him up. The boy looked up, startled, then grinned. “Dank je,” he said, his Dutch accent round and warm. His mother hurried over, thanked Idris quickly, and led the child away. 

 

As they left, the boy turned and waved. A small, open gesture, unafraid. Idris stood there for a long moment, hand half raised. After everything he had faced—at the bakery, in the park, at the library, and the swimming pool—friendliness unsettled him more than hostility. He realized his mouth had moved. Something close to a smile, something unfamiliar on his face. But by the time he reached the center, his lips ached, as if the effort had been too much.

 

At night, the walls of the center felt closer, tighter. The heater clanked with a rhythm that reminded him of distant shelling. He dreamed of his sister laughing in the courtyard. He woke sweating, unsure of where he was.

 

Eventually, the transfer came. Bodewijk. They said it would be quieter. A better facility. Closer to nature. More peaceful. He boarded the bus at dawn, his notebook in his pocket, his photos in a plastic folder pressed against his chest. No one waved goodbye.

 

And as the fields unspooled outside the bus window, endless and indifferent, he wondered: “Is being unwanted enough to end a life?”

 

*

 

He arrived in February, a month of stillborn light and bitter winds. The counselors at the Bodewijk asylum center said his name was Idris, and that he was seventeen, though no one could say for sure. He spoke little Dutch and only fragments of English. The staff gave him a jacket too big for him and shoes too narrow and registered him the way they processed dozens like him each month.

 

He said he was from Syria, but he had no papers, only a plastic bag with a few photographs that had blurred with moisture and wear. One showed a boy laughing on a swing. Another, a man whose face had been scorched at the corner by fire, or perhaps simply time. When the staff asked about them, he looked away and pressed the photos against his chest as if they would melt into him.

 

Bodewijk was a calm place. Too calm, many of the asylum seekers said during dinner. They were surrounded by rows of low houses, the asylum center nestled at the edge of a pine forest where fog lingered until midday. On the edge of the center, children rode their bicycles in loops, and the older men played cards and shared bitter coffee in styrofoam cups. The Dutch staff were kind, or at least professional, and the food was warm. But warmth is not the same as comfort. And food is not family.

 

The others tried to speak to him. A Somali man named Yusuf brought him tea one night and sat beside him in the lounge, where the television always played Dutch soap operas. Idris nodded but said little. Later, Yusuf told the others: “He doesn’t sleep. You can hear him walking in his room, back and forth, like someone looking for something.”

 

Idris was told he would be safe. That was the promise: safety. Not healing. Not wholeness. Only safety. He talked to a therapist, a gentle woman named Marianne with a soft, lined face who spoke Arabic haltingly, from years working with refugees. She gave him a notebook and told him to write whatever he felt. He tried, at first. A few lines. “My mother was in the kitchen when they came. She was wearing her blue dress.” He wrote that line ten times and then never opened the notebook again.

 

Marianne asked him about sleep. He shrugged. She asked about appetite. Again, the shrug, a flash of the eyes. Something there. But he didn’t want to name it. To name it would make it unbearable.

 

At night, when the other young men gathered around their phones or played football outside in the cold until their fingers ached, Idris sat on the steps outside the building and stared at the pine trees. Sometimes, if someone passed too close behind him, he flinched violently, turning with eyes wide as if expecting a blow. The others began to leave him alone. “He has jinn in his head,” one boy muttered. Another said: “He is not here with us. His body is, but his soul stayed somewhere back in the sea.”

 

The sea. That was the thing no one liked to speak about. The boat had been too full. It always was. At night, sometimes, the volunteers would hear screaming from the dorms. Idris once woke all the others with a cry like someone drowning. When they turned on the light, he was curled on the floor, hands over his ears, mumbling something none of them understood.

 

*

 

One morning in late March, a volunteer named Rob found the door to Idris’s room ajar. The bed was neatly made. The photos were gone. 

 

They found him in the woods, not far from the fence that marked the boundary of the center. It was cold that time of the year. A thin crust of frost on the ground. He had tied his belt to the branch of a low tree and stepped off the rock beneath his feet. He had escaped the war. He had survived the camps, the sea, even the cruel half-year of waiting in Europe. But the silence—the silence was too much.

 

The news came quietly. A short email to staff. A note posted by the receptionist: “A moment of silence will be held for one of our residents who passed away.” No name. No story. Just passed away. As though it had been natural.

 

They sorted through his belongings. Folded his clothes. Catalogued his papers. They found his notebook, the one he had carried from Istanbul. Inside the back cover, almost invisible, he had written a line in Arabic: “Tell them I tried to arrive whole.”

 

Marianne wept in her car. She felt it as a failure, though she had always known that she could not reach all of them. That some of them carried wounds stitched too deep for language. Yusuf went into town and lit a candle in the church, though he was Muslim. “God is God everywhere,” he said. One of the boys painted Idris’s name on a wall at the back of the center with black spray paint. Two days later, the staff painted over it.

 

In April, a new boy arrived from Afghanistan. He was given Idris’s room, Idris’s bed, Idris’s shelf in the cupboard. The process resumed—name, age, a new coat, narrow shoes. The cycle turned again.

 

But now and then, someone would mention him.

 

“Do you remember Idris?”

 

“The quiet boy?”

 

“Yes. The one who almost smiled.”

 

And someone might say, “He had beautiful hands, like a musician’s.” Or: “He once gave me his orange at lunch.” And that would be all. Because grief in the center was like mold—it grew in corners, silent and unseen.

 

*

 

That summer, a pine tree near the fence began to lean, as if bowing toward the earth. A staff member joked that the soil was bad. But Yusuf, looking at it one day while smoking, said softly, “That’s where they found him.”

 

The others didn’t respond. But they all looked.

 

And sometimes, when the wind rustled the branches at night, they thought they heard a boy humming. A song from a place none of them could remember, or maybe never knew.

Wasima Khan is a Pakistani-Dutch writer, poet, and jurist from The Hague, the Netherlands. She is the winner of the 2025 Willow Springs Surrealist Poetry Prize and the 2026 Blue Frog Flash Fiction Prize. Her work has appeared or is forthcoming in About Place Journal, Fourteen Hills, Redivider, Santa Fe Literary Review, Sky Island Journal, and elsewhere, and has been nominated for Best New Poets 2026. Find her at wasimakhan.com

Art: “Old Fishmarket Street” by Nuala McEvoy
Acrylics and acrylic pens on canvas

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