Issue 51.1 Art Gallery I Estructuras Insoportables I (Yellow) by Cecilia Prandi Acrylics on Canvas Estructuras Insoportables II (Green) by Cecilia Prandi Acrylics on Canvas CECILIA PRANDI was born in...
KS Keeney I read Gary Jackson’s first book, Missing You Metropolis, when I was twenty-one, still getting my feet under me as an adult and poet, and was awed at the idea that you could mix poetry...
Bareerah Y. Ghani Chibundu Onuzo’s new novel, Sankofa, is poignant and perceptive in its exploration of grief, family bonds and the intersectionality of race, ancestry and identity....
Kevin Binder An unexpected outcome of my MFA experience is that it’s deepened my appreciation for voice and style in fiction writing. Not that my literary tastes were all that refined to begin...
Timothy Johnson If you’re a child of the ’80s like me, LeVar Burton may have been an important part of your formative years. Whether you tuned into Star Trek: The Next Generation every week, kept...
Martin Mitchell Will it come like a change in the weather?Will its greeting be courteous or rough?Will it alter my life altogether?O tell me the truth about love.—W.H. Auden I thought of these...
Melissa Wade The cover of Emily Austin’s debut novel presents visual insight into the book’s core dichotomy. In a design by Kelli McAdams, lollipop-colored rabbits bound with life in neatly...
As a team of writers and creators, we know that submitting to journals can feel like a daunting and opaque process. As we continue to accept submissions for phoebe’s Fall 2021 issue, we thought it...
As a reader, I’m not the biggest fan of letters from editors. Digging through phoebe’s archives, as I am wont to do, because I’m a big nerd, it’s clear someone agreed with me. At one time in...
