As a fiction writer without much of a knack for poetry, I’ve long appreciated writers with a talent for both genres. And when I think of authors who bridge that genre divide, Laura Kasischke is one...
KS Keeney While phoebe is primarily a journal for literature, over the years we have had the chance to feature some phenomenal visual art, and none more so in my tenure than the work of Camilla...
Timothy Johnson I believe you should judge a book by its cover. Of course, we often apply that idiom figuratively to people, and in that case, I don’t recommend it. In the literal case, though, a...
Ana Pugatch Ye Chun is a bilingual Chinese American author and translator. Her stunning poetry and prose meditate on the power of language, the dichotomy of othering/loneliness, and navigating two...
Melissa Wade So here at phoebe, every once and a while, we sell a back issue, but a few months ago, we got a bounty of requests for one particular printing: our Fall 2011 contest issue. When I...
Millie Tullis Irene Cooper’s spare change (Finishing Line Press) is a collection composed of small poems that constantly surprise through line, image, and charged, simple language. The poems...
Frannie Dove YA Novelist Betsy Cornwell has always loved fairy tales. As a child, they read Lang’s Fairy Books, which includes stories from Hans Christian Anderson and Brothers Grimm. The selkie...
KS Keeney I was incredibly lucky to get the chance to ask Allison Funk about her book The Visible Woman, some of which revolves around Funk’s experience of living in French-American artist Louise...
Lena Crown On my dining room window, there’s a paint smudge at the center of the third pane of glass. Before quarantining for eight months, before gazing out that window each day at the same thin...
Millie Tullis Mary Jo Amani’s ecstatic poem “Rapture” remained with me long after my initial reading. I was so grateful to be able to share this powerful poem with our readers in issue 49.2....