Millie Tullis If you haven’t already fallen in love with the work of Sabrina Orah Mark, I scarcely know how to tell you where to start. Everywhere, I know, would hardly be a helpful answer....
Lena Crown In the dedication to Lilly Dancyger’s debut memoir, Negative Space, out from the Santa Fe Writers Project this May, she writes, “For my father, Joe Schactman. And for everyone living...
Kevin Binder One of the things I’ve enjoyed most about my creative writing program is that the experience has helped give words to many things I’ve been trying to do in my writing. A prime...
Ana Pugatch Tracy Zeman’s debut collection, Empire (Parlor Press, 2020), contains the hallmarks of a skilled ecopoet: an expansive scientific lexicon and a tendency to eschew the didactic, for...
Timothy Johnson We who like the scary, dark, and macabre tend to leap at the chance to claim a successful piece of literature or film as one of our own. We revel when a work of horror writhes its way...
Phoebe’s first issue, published in 1972, opens with a poem by Mary Anna Dunn titled, “Firstborn, or the Table,” which stamps the page with the birth, on said table, of “a child’s bloody...
Richard Shannon heart deep in hunger an aged leopard, haunted by the fear it sowed in its prey,sun weary, reclines on the river’s edge moonlight wreathes his heart with the golden image...
Mary Anna Dunn My heels are strapped in etherized stirrupsand my feelings float around —while a dilated moon brings the high tidecrashing to shore andback out again, I hear scissors cut...
Embody #2 Melissa Wade Years ago, I wrote a biography on Ansel Adams for a high school humanities class, and I remember spending a whole page on one thing he said: “You don’t take a photograph,...
KS Keeney I was incredibly lucky to get the chance to ask Allison Funk about her book The Visible Woman, some of which revolves around Funk’s experience of living in French-American artist Louise...
