Dreamhorse
You wrinkle in this palace you will curdle
this pony as it molds to my face. My love
shrieks from postured sculpture. This space
is elegant with...
An interview with Mary Roach
Roach: "The whole wall behind his desk was filled with television screens of eyes that were currently being operated on! So, I’m trying to interview him, and behind...
The Three Towers
There was no room for artistic license. The towers were warehouses for books and people. If people wanted art or beauty, they could look for it in a book. Each...
On the Music of Distraction
The pitch of the accordion begins low in the dark, but as the spotlight slowly focuses, I see the bellows of the instrument open up, the top ahead of...
An Interview with Manuel Munoz
Munoz: "It’s camera movement. When a camera closes in on someone, I’m startled every time, it’s almost unnoticeable. And I’m sort of mimicking that, where I...
Observed and invented color
She moves color around the surface and plops it quickly into positive and negative spaces. Edges are often repainted to keep them bold and contrasting....
A Book About Business for the Self
We’re so self-interested that we’ll buy anything that supposedly will make us better, happier—we’ll buy things that explain our memories to us, that tidy...
To find a priceless home
You sift through hours
of tongues you find a ring
to echo and binding
an eye strewn on your wrist...
Fall for the Book: Writing Africa Panel
The panel featured readings by Helon Habila, E. C. Osondu, and Susi Wyss. These three distinct voices offered engaging and completely different stories inspired by...
Letter from the Editor
Of course, if you’re reading this, then chances are you’re already familiar with the magazine—perhaps even aware that we’ve been around for quite awhile....