Issue 51.1 Art Gallery I Estructuras Insoportables I (Yellow) by Cecilia Prandi Acrylics on Canvas Estructuras Insoportables II (Green) by Cecilia Prandi Acrylics on Canvas CECILIA PRANDI was born in...
Issue 51.1 Art Gallery II Collage 30 by Libby Saylor Mixed media on paper Collage 37 by Libby Saylor Mixed media on paper LIBBY SAYLOR has been making art since childhood. She received her BFA in...
Lisa Huffaker Lisa Huffaker creates poetry, collage, and assemblage. She is a frequent visiting artist at the Nasher Sculpture Center, a recent C3 Visiting Artist at the Dallas Museum of Art, and...
Angela Yang 1. The man printed on the insecticide can wears oversized boots and taut muscles. He looks like he has seen all types of cruelty, grown disinterested, and so turned to benevolent killing....
Alma García We are deep, at twenty-seven thousand feet and counting on the east side of the Great Ridge, and we have been ruptured. We are tearing apart. We will remain calm. This is not our first...
Jared Green The box arrived during the period we would come to call Early Pandemic. We would speak of this time as though it were a distant geological era, a deep stratum, dense with meaning, in...
Blair Hurley Mostly, missing her old life before the baby isn’t a conscious thing. She’s too tired to have a thought like that, with actual words and sentences. It’s more a fuzzy sense of...
Heidi Schulz I start in the Meet the Family Gallery. There, behind glass, are wax figures posed in life-sized dioramas. My dad, smaller than I remember, is reading a Louis Lamour western in his...
Kim Drew Wright In my earliest memory with my two older sisters, I’m toddling around a South Carolina backyard, past a metal playset with one of those face-to-face swings you have to pull and push...