| Poetry, Print Issues

Commandment

Raena Shirali

-for Ariana Reines

        to touch the unfolding spiral i take my nightly seat

        at the cusp of fig. i see what i’m supposed to : shapes,

        innumerable, in which we find intimacy : cow, lettuce,

        honey, plough. against the plague of insideness 

        i describe you as milk in sun. soft fat between my fingers.

        rinse lettuce in the strainer : it spirals into & into. 

        how looking into the black eye of the too-skinny cow

        in the compound where my mother was born 

        in the country i fear, now, i’ll never visit again,

        i felt like a miracle. & in the absence of miracle 

        at least there’s an ancient rhythm—looking at you, my focus

        uncouples, meaning beheld. all this discourse

        about fecundity, & insideness being a plague, & in my lineage 

        women invented the plough & penetration was ours 

        & we were meant to perpetually darken, to live outside.

        anyway. in the chatroom i feel dead when everyone 

        snaps on mute. my fertility goddess isn’t interested in sons, 

        the ancient text all lettuce, honey, cow-eyed & beckoning, sun

        flashing me as she wanes & the breeze through cracked window

        touches my spiral just so & the poet who’s actually a prophet says 

        “to receive delight is a virtue.” night comes so for once, i play along

        & come, too, fingers fat with delight, lettuce drowned in milk.

Raena Shirali is the author of two collections of poetry. Her first book, GILT, was released by YesYes Books in 2017 and won the 2018 Milt Kessler Poetry Book Award. Published by Black Lawrence Press in October 2022, her second book, summonings, won the 2021 Hudson Prize and was shortlisted for the 2022 Julie Suk Award. Winner of a Pushcart Prize & a former Philip Roth Resident at Bucknell University, Shirali is also the recipient of prizes and honors from VIDA, Gulf Coast, Boston Review, & Cosmonauts Avenue. Her work has appeared in carte blanche, American Poetry Review, Academy of American Poets’ Poem-A Day, The Nation, The Rumpus, & elsewhere.

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