Korey Hurni
The day after his myth
began, Icarus had to return
to the trophy bar to pick up
his credit card. This time molted,
reeking of cheap plastic,
feeling as though he crashed far
out in some floating
garbage patch. He fancies
he could establish himself there, ascend
instead of fall, become a ruler
of the discarded, unite a diffuse Elysium
whitecapped with trash. His one chance
at deification, to insert himself
among the pantheon: imagine Icarus
a god, god of cautionary tales
and emasculated men.
*
He wonders if his father would sail
out into the ocean. If he would even know
what he was looking for in the disaster
Icarus left behind. If he would hammer
together an island, raw material
for a raw boy, forge a body
to mourn. Would he call it memorial, call it
by his name, mutter Icaria,
Icaria until it dissolves
into a song that could cusp
and ride the wind better
than his boy? Or would he just wait
for what the tide brings in.
*
This is not a dream of flight,
but a prophecy of vertigo. One sealed
in by the wax itself. A spotlight,
a windburn, a fading synthesizer syncopating
heat death. Call it entropic disco, call it
the danse macabre at the end
of the universe, call it simply
inevitable—he should have seen it
coming, no?—call it Icaria, a strobe
light beat flickering against
the bass of wings.
*
The bar dead but alive
with “Xanadu,” the bartender skates
in the eyeshadow of the bar
slicing limes, mouthing Olivia
Newton-John. Hey, you’re the one
that went home with Sunny last night,
right? And there it was, a waterlogged
memory of bodies flailing
again, unsure which was his.
Icarus doesn’t remember leaving, only a hook
through his cheek pulling him
out. How much he would have preferred
the line cut, leaving the hook to rust.
*
Icarus offers a maybe as he feels the wound
that could have been, tracing
his cheek until the imagined gash
feels as certain as his father’s
hands hanging over
his shoulders. Every father has placed their boy
in front of a bandsaw
with a decisive imperative: measure twice…, cut
until the blood calcifies the tongue
into a strikable vein of dark iron.
*
Discarded or kept, what a feast
Icarus would make.
He thinks he would prefer to be pan-
seared. But first someone would need to gut
the boy. Cut deep, leak the rust
water. Someone to admire
the knife bedazzled in irreducible
glitter. Icarus takes back the plastic
and all that he’s worth.
Korey Hurni was born and raised in Lansing, MI, and is currently an assistant professor of English and creative writing at Waldorf University in Forest City, IA. He earned his PhD from the University of Wisconsin – Milwaukee and his MFA from Western Michigan University. Previously, he has served as poetry editor for Cream City Review and Third Coast. His work has appeared in West Branch, RHINO, Quarterly West, and elsewhere.